<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Books on Adam Talib</title><link>https://www.adamtalib.com/publications/books/</link><description>Recent content in Books on Adam Talib</description><generator>Hugo</generator><language>en-US</language><lastBuildDate>Mon, 01 Jan 2018 00:00:00 +0000</lastBuildDate><atom:link href="https://www.adamtalib.com/publications/books/index.xml" rel="self" type="application/rss+xml"/><item><title>How Do You Say "Epigram" in Arabic?: Literary History at the Limits of Comparison</title><link>https://www.adamtalib.com/publications/books/epigram-in-arabic/</link><pubDate>Mon, 01 Jan 2018 00:00:00 +0000</pubDate><guid>https://www.adamtalib.com/publications/books/epigram-in-arabic/</guid><description>&lt;p&gt;This monograph presents the first history of the Arabic epigram form (مقطوع). This form was extremely popular in the later half of pre-modern Arabic literary history (c. 1200–1900) and remains largely unknown in contemporary scholarship. It ranks among the most accessible and immediate literary forms in Arabic and appeared ubiquitously in all manner of literary texts from the period. The epigrams treat amatory and erotic themes, descriptions of natural and luxury objects, jokes, and riddles. The monograph presents the first sustained scholarly engagement with this genre while examining the category of epigram in world literature and its application across literary traditions including Arabic, Persian, Hebrew, and Turkish. The study offers a new history of classical Arabic literature while addressing important theoretical and critical issues in comparative literature.&lt;/p&gt;</description></item><item><title>Arabic Literature, 1200–1800: A New Orientation</title><link>https://www.adamtalib.com/publications/books/arabic-literature-1200-1800/</link><pubDate>Fri, 01 Jan 2016 00:00:00 +0000</pubDate><guid>https://www.adamtalib.com/publications/books/arabic-literature-1200-1800/</guid><description>&lt;p&gt;Edited by Monica Balda-Tillier and Adam Talib.&lt;/p&gt;
&lt;p&gt;Special Issue of &lt;em&gt;Annales Islamologiques&lt;/em&gt; (Volume 49, Cairo: Institut français d&amp;rsquo;archéologie orientale, 2016).&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href="http://anisl.revues.org/276"&gt;Full journal issue&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href="http://anisl.revues.org/1678"&gt;Read introductory essay&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>The Rude, the Bad, and the Bawdy: Essays in Honour of Geert Jan van Gelder</title><link>https://www.adamtalib.com/publications/books/rude-bad-bawdy/</link><pubDate>Wed, 01 Jan 2014 00:00:00 +0000</pubDate><guid>https://www.adamtalib.com/publications/books/rude-bad-bawdy/</guid><description>&lt;p&gt;Edited by Adam Talib, Marlé Hammond, and Arie Schippers.&lt;/p&gt;
&lt;p&gt;This volume collects eighteen essays on all facets of obscenity in classical and modern Arabic literature to celebrate the career of Geert Jan van Gelder, FBA, Laudian Professor of Arabic. The editor&amp;rsquo;s contribution is entitled &amp;ldquo;&lt;a href="https://www.adamtalib.com/pdfs/RBB-ch-17-Talib-Caricature-and-Obscenitycompressed.pdf"&gt;Caricature and obscenity in &lt;em&gt;mujūn&lt;/em&gt; poetry and African-American women&amp;rsquo;s hip-hop&lt;/a&gt;,&amp;rdquo; comparing modes of caricatured obscenity across both genres to demonstrate their parodic and camp orientation.&lt;/p&gt;</description></item></channel></rss>